The Awakening

Between 1914 and 1919, one million people lost their lives to influenza. Society was more ignorant back then. Science and rational thinking were not then the forces they are today. People were open to anything, including the possibility of ghosts. Florence Cathcart (Rebecca Hall) stands out in the London of the twenties for being a free-thinker and a debunker of the supernatural. A boarding school teacher (Dominic West) implores her to visit his school following the death of a pupil, where unexplained sightings are being reported. Florence isn't a total sceptic. She leaves some room for belief, which caused me to note she is agnostic towards ghosts. Essentially, there are two stories. One is concerning the death of the pupil. The other is more interesting and distinguishes it from a deluge of other horror films which have vanished from my mind as quickly as the ghostly apparitions in them. It focuses on Florence herself, and I shall say no more as I will not spoil it for you. This is not a scary film; there are several portents but few frights. What there is plenty of, however, is suspense. Nick Murphy, in his feature-length debut, also manages to sustain a melancholy mood, crucial for his story. It's no surprise that Rebecca is the daughter of Peter Hall, founder of the Royal Shakespeare Company. She commands the screen in a way which would cause many of her peers to blush with envy. Her character is a difficult one to personify. Dominic West, he with the simian countenance from the groundbreaking crime series 'The Wire', is very good as the guilt-ridden soldier-turned-teacher. Imelda Staunton is effective as the school matron. She has that look in her eye which is trying to tell us something. I'm calling this a grown-up film because the spiritual element becomes auxiliary. Guilt and loneliness take over as leading themes. Murphy has the acuity to drop the ghost story – because otherwise it would be a simulacrum of other period chillers – and focuses on a story of locked emotion. The denouement is clever and original. The penultimate revelation would have been a superb ending on its own, so having a double-twist is all the more impressive.

source: The Awakening

There's plenty of bumps and jumps on offer in this chilling British horror flick that stands as tall as The Woman In Black and The Others. Like those two movies, The Awakening (awesome title) boasts a spectacular and equally mind blowing twist end that will stay on your mind, and the other two twists will leave you shivering and feeling cold when they reveal themselves. I think any film that leaves a lasting impression whether it be the whole way through or just at the end is an effective one. It's an intriguing horror movie that despite a few lousy boo scares and inconsistency with tension, it's nicely shot, packed with great performances, especially Rebecca Hall and pays off with a marvellous ending that will satisfy viewers.

This was the best horror movie I have seen for several years! It has got everything: a solid plot, a shocking twist near the end, a creepy feeling followed with several real jumps, suspense, good psychology, good acting... It is getting the atmosphere both of the period (shortly after World War I), and of a boarding school just right. There is also a strong and masculine attractive man, a believable love story and some hot sex in it..! :-) "The Awakening" has a lot in common both with "The Others" and "The Orphanage", so if you loved those this is a must-see!