
A couple in a troubled marriage locate a meteorite, initiating an encounter with a mysterious creature. Their lives are turned upside down by the discovery of the creature, which is a source of both pleasure and destruction.
1h 38m available with multiple audio tracks and subtitles.

Amat Escalante
Director

Ruth Ramos
Alejandra

Simone Bucio
Verónica

Jesús Meza
Ángel

Eden Villavicencio
Fabián

Pablo López Pérez
Iván

Zair Alberto Gutíerrez
Jacobo

Oscar Escalante
Sr. Vega

Landa
Aug 20, 2024I have to admit it is unique, but it's also boring. I would not recommend it, nice idea, but not enought realised. The end is like" okey we don't have any ideas left, let's just end it so".

Maïsha
Aug 20, 2024This film is about finding pleasure. The five main characters are husband, wife, brother, girl and alien. There are lies, sex, orgasmic encounters and jealousy. Good setup for a strange sci-fi drama. This isn't a bad film. It is slowly paced but my curiosity helped it hold my attention. I sometimes find it hard for me to gauge foreign actors but I thought the acting was ok. There's an ominous feel to this and I guess that also helped in holding my attention. It wasn't anything I would classify as horror going on. It felt much more like weirdness. My biggest issue is that you never really get an understanding of everything was going on. I wanted to know why people were hurt or dying and I never got an answer. Things just didn't completely add up by the end of the film so I had to take some points away for that. With such a slow pace there was a great building of suspense but it failed to satisfy. If you can handle the pace and the unanswered questions, this is an ok movie.

🛃سيـــــد العاطفــــة🛂
Aug 20, 2024I hadn't read the review, but heard this was a science fiction Mexican film. the start was rough. it looked an awful lot like a * movie and I was actually thinking of walking out. but soon we get down to the real business. a monster, arriving from outer space, needs sexual partners, (apparently he/she is bi-sexual). the monster appears to give pleasure and pain, depending. a young woman, ale, is married to a tough guy?, angel, who is having sex with her brother, fabian. it's complicated, as they say. ale is enticed by vera to get involved with the monster. she also entices Fabian, who is gay. dead bodies start piling up. because this is so serious, i didn't know if I should laugh when the jokes happened. this is not for everyone, but i liked it OK. it's certainly different, and I have seen a lot worse.

Jeremy
Aug 20, 2024A young woman comes to grips with her failing marriage and homosexual husband, and oh yeah there's something about a tentacle sex alien too, in The Untamed (2016), a Mexican sci-fi horror film written and directed by Amat Escalante. Originally titled La region salvaje, it was released in the U.S. in 2017. The film gratuitously uses a provocative subtext to explore serious drama and sexual themes in small town Mexico. Amat Escalante is a Spanish director known for his gritty portrayal of the Mexican experience. The Untamed paints an unvarnished portrait, and even the natural scenes are bleak and depressing. Its original title translates to "the wild region," which I'm assuming refers both to untamed nature and female sexuality. There are several close up shots that reinforce that theme scattered throughout the film. Alejandra (Ruth Ramos) and Ángel (Jesus Meza) are raising two children in an unhappy marriage. Alejandra's brother, Fabian (Eden Villavicencio), is a nurse at a local hospital. Ángel and Fabian are having an affair. Things get weird when Fabian meets Veronica (Simone Bucio), who visits the hospital after being bitten by a lusty tentacle alien her parents (?) keep in their barn. Veronica lures Fabian to the barn, where the creature brutalizes him into a coma. He is later found naked in a ditch and brought to the hospital, where Alejandra meets Veronica. Police arrest Ángel for Fabian's injuries because a bystander saw the two men arguing in a parking lot before Fabian disappeared. Somehow Veronica convinces Alejandra to also meet the alien, but she has a more pleasurable experience. Her sexual awakening leads her to realize the truth about her brother and husband's relationship, and she flees with her children. After Ángel accidentally shoots himself in the leg, Alejandra returns to the barn, where she finds the alien has killed Veronica. Like most European films (The Untamed was made by a Spanish filmmaker), The Untamed heavily relies on tedious character development and subtext American audiences generally find boring. I have a feeling most viewers will skip to the alien scenes just out of curiosity. The CGI here is excellent for an indie film; much better than some big budget studio releases I've seen. I'm reminded of a writing professor who used to admonish us for including supernatural or fantastic elements in our stories. Why not use a person rather than a monster? He'd ask. Well, a monster is more interesting, I thought. In this case we have to ask: what does a tentacle sex alien bring to the story? You can't just say, well, the movie is really about the protagonist's sexual journey, because you don't need a weird creature to tell that story. Plenty of movies feature lusty aliens, but the aliens are usually central to the plot. In The Untamed, remove the alien and little changes. Alejandra's brother might as well have been hit by a car. You could say it motivates Alejandra to finally leave her husband, but finding out Ángel was having an affair with her brother probably would have been sufficient. Ruth Ramos and Simone Bucio are both beautiful actresses and don't need intimate moments with a CGI monster to arouse the audience's attention. Overall, The Untamed is a competent and provocative film, but its sci-fi element seems gimmicky. Its conclusion is murky and bleak. Is passion and sexual gratification ultimately dangerous and destructive, as the creature implies? Was everyone better off in their dysfunctional yet stable relationships prior to encountering the creature? Somehow I don't think that's the message Amat Escalante intended, but it's hard to arrive at any other conclusion.