Fubar

Loved this. Really got into it. I didn't check the time once as could not take my eyes off the screen. Love British lower budget films they are usually so good. No computer messing about which is great.

Not even Mark Heap can save this film. Terrible acting throughout. A ridiculous plot would be passable if the film was funny, but it isn't. You can see the "gags" coming a mile off, and the "bad guys" are seemingly a crowd of random security guards they got in on the cheap. Maybe with a bigger budget, and a half-decent script, it might have been an OK film. Also, stuffing a cloth into someone's mouth while not actually gagging them or tying something around it, will usually fail, so why the fella doesn't just open his mouth and spit it out is beyond me.

This is a briskly-paced, fitfully amusing, luridly lad-magged British Zomcom with a terrifically titter-inducing twist. The noisome 'Mock-zom' action centring on an amusingly expletive prone group of disparate sitcom sardonic archetypes who find themselves on an increasingly boisterous, mishap-infected stag weekend in the country. Their elaborate Zombie-themed paintball escapades disturbingly take on a deliciously wrong-headed turn after these hapless, part-time paintballers accidentally kill one of the shambling, ill-painted, psychotically distempered faux-zombies for real, thereby hysterically helter-skeltering this bucolic, gag-infested, backwoods barmy B-Movie to a gallopingly grisly, suburban twits hit the fan, goo-flinging, Crossbow-swinging, fright-flocked finale! While 'Killer Weekend' is a somewhat derivative low-budget feature it nonetheless still proved to be an awesomeballs horror comedy, colourfully enlivened with some quality bants, zesty acting from a clearly game, 'give-it-a-go' cast, and, while, perhaps, not quite on par with blood-drenched Brit-Cult classics 'Severance', or 'Doghouse', it finally won me over with its rough-hewn charm, boundless enthusiasm, and splendidly splattery, far from stagnant silliness!

If you're an adult whose seen a few movies, you've almost certainly seen a better version of this film. If you can accept that, you might get a few laughs and some mild entertainment out of this. The characterisation is poor - too many indistinct characters and alot of the ones you do remember are annoying and derivative. The script has quite a few "do people really talk like that?" isms but some effective plot twists, snappy editing, well framed shots and even the odd funny joke mean it flies by quicker than it really ought to. Plus it's against the laws of God and man to totally hate something that features Mark Heap this heavily.