M.S. Dhoni: The Untold Story

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First of all hats off to Niraj Pandey for selecting this story, as it inspires each and everyone who struggles in their life We all know dhoni as a successful cricketer, but if you want to know the reason behind his success, then this movie is must for you. Sushant shing has done a great job. One of the best ever sports based films ever made. In fact, this film is not only about guts and glory, but dwells into topics much deeper than that. Neeraj Pandey delivers yet another masterpiece. The duration of the movie is big let-down, and the director could have cut down on those unnecessary songs, which slow down the pace of the movie. The entire movie is capped off by a brilliant ending. Sushant was absolutely brilliant and flawless in the movie, thus adding yet another feather to his already highly decorated cap. All the other actors too have played their parts. On the whole, this movie was not only an entertainer but also keeps you hooked to it for a good three hours. And rarely has a Bollywood movie been this good. Truly an inspiring movie... Hats off to the entire team for creating such a masterpiece !!!!

The movie is not good as expected and the reason is that the writer chooses to focus on the emotional nagging instead of the great content which could build a great story. Performance by Sushant Singh is truly brilliant and MS Dhoni's hard work and commitment towards his work is commendable but the loophole are the supporting actors. The two actresses Disha and Kiara have done average performances and Bhoomika as Dhoni's sister is not convincing enough. Too many songs in the movie spoil the screenplay. The only factor which makes the viewer going is his/her love for the real captain Cool and the sacrifices and efforts he takes to reach to the top. Overall I would recommend the movie as a one time watch but honestly Neeraj could have been much better

who gets selected to play for the Indian cricket team. His is an overnight success story. From anonymous newcomer to Next Big Thing, it doesn't take long for him to fall in the wrong company - in this case a cunning talent manager (played by Gulshan Grover) who lands him big endorsement deals, but also distracts him from the game and gets him addicted to wine, women and wealth. By the time our hero realises he's lost everything that's dear to him, it's a tad too late. But nothing that a lazy screenplay-writer can't solve by resorting to the oldest clichés in the book.Victory too is more predictable than the weather in Alaska.Victory, unfortunately, is a completely forgettable film whose scenes play out exactly how you'd expect them to. Sports films often follow the same blueprint; there's rarely any surprise in how a film about cricket or football or hockey will turn out - the hero's side always wins. You see, the trick is not in the ending, but in how you reach the ending. Think about it - were you surprised that the villagers beat the British in "Lagaan", or that the Indian women's hockey team won the match in "Chak De India"? No, you knew that was going to happen twenty minutes into both films. It's the journey up to that expected ending that made both those films special. The problem with Victory is, there is nothing to discover, nothing to surprise you, and nothing exciting at all about how it reaches its expected ending. Amateurishly directed by Ajitpal Mangat, the film is laughable in its supposedly emotional scenes, and too long by at least twenty minutes. The climax, a real hoot, is inspired much from Indian cricket history, with creative liberties thrown in for good measure. So you have six sixers back-to-back, and one final one that smashes the floodlights. All this delivered by our hero who's bleeding profusely from the head, his vision blurred from the injury. Now the big question - has Harman improved since "Love Story 2050"? Well, he's lost some of his stiffness, and his acting's a lot less labored for sure. But it's going to take a much better film and a less stereotyped character for him to show what he's really got. I would recommend, additionally, that he fire his make-up man instantly - the patches on the forehead, the uneven pancake really doesn't make much of an impression. Amrita Rao is wasted as our hero's childhood love; and Anupam Kher hams it up as Shekhawat's upright father, cracking you up with his rhythmic paralytical spasms. It is a film that reduces real heroes like Harbhajan Singh and Brett Lee to junior artistes in the background. Watch it only if you have a high threshold for pain.