Much Ado About Christmas

source: Much Ado About Christmas

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A beautiful setting that is supposed to be somewhere in England but is clearly Bucharest. The indoor scenes are very nicely decorated. An attractive cast forced to chew through some pedestrian dialogue and head smacking plotting. It is snowing in every outdoor scene. The main characters fall madly in love in just a week.

Modern riffs/updatings on literary classics are very variable, there are some very clever ones such as 'Clueless' and then there are others that are rather derivative and lazy such as the Hallmark updatings of Jane Austen. Shakespeare's timeless 'Much Ado About Nothing' (one of my favourites of his) given a modern festive makeover fascinated me from the get go, and even more so seeing a lot of positive feedback on it from some not easily pleased. It did sound and look good. And it was. For a film from an non-major and relatively recently rebranded network, 'Much Ado About Christmas' was to me very impressive and as good as the best of Hallmark and Lifetime. Also on par with the best of Hallmark's inconsistent 2021 festive output. As far as lesser known modern updatings on literary classics go, 'Much Ado About Christmas' (again from personal opinion) is one of the best, cleverest and most charming and one of the best of GAC Family's output (the biggest interest point of the film being that it is the first film from them under their rebranding). It isn't perfect, with the ending being a little too neat and rushed and it being slightly too vanilla to begin with. Torrence Coombs is a little stiff to begin with, but that he is based on a character who is very bland in the play plays some part in this. Once he relaxes however, he becomes very easy going, subtly charismatic and charming. He also shares great chemistry with radiant and immensely likeable Susie Abromeit that has a real cheerfulness and charm, while not being too romantic too soon. Really connected to their characters, Abromeit's in particular is relatable without being too perfect. The supporting cast are great, especially the witty turns of James Rottger and Emma Colling, Colling has the most interesting role and relishes it without overacting. Loved the playfulness and initial tension between them. Production values are attractive enough, especially the scenery, while the music has personality without being intrusive. The script has plenty of cheerful wit, light hearted charm and heart, with no cheese, awkwardness or over sentimentality. The story is both lively and heart-warming, with the take on the play full of liveliness and nothing lazy. Summing up, very well done. 8/10.