Raanjhanaa

No review content available.

Bro Zoya pmo

Romantic comedies are essentially my guilty pleasure (psst... don't pass the word around), often intaking a few to lessen the intensity levels following more ambitious cinema. Despite being able to fill in the dots several scenes ahead, they do offer a certain respite and touch the less cynical side of a human being.They end up attempting to talk there way into the viewer's sympathy with mildly entertaining punchlines, forced deliveries reeking of pretentiousness or mistimed comedic flow.The best thing in the movie is Dhanush. He simply stole the show with his intense portrayal of a person driven by love, a person who does the most stupid, brave and incomprehensible of things in the name of love.

9 out of 10 movies are based around a theme where a boy sees a girl and then falls for her and next aspires for her love in return. This movie claims to be no different. However, it has some kind of Paulo Coelhoisque effect, which lingers and dominates the second half of the movie and the journey of Kundan's salvation really brings the heart out of the audience. Once I was told by my teacher that tragedy is not when something wrong goes to a person; it's just his bad luck or ill fate. Tragedy happens when an ego clashes with one's love. Saying so, this movie is no tragedy. As in here we'll find the confrontation of two different sort of love; one of Kundan's and another of Zoya's. People really need to see this colourful portrayal/celebration/confrontation of love on the screen. The great aspect of the movie is the locations of Varanasi. I have never seen any other movie capturing the essence of Kashi in such a grand manner as this movie does. The screen sometimes appeared to be the portrait of Varanasi with all its colours, galiyas, ghats and so on. I guess after this the other filmmakers will also realize the potential that this city can offer them on the screen. In addition, the melodious tunes of Rehman bring the vibrant nature of Shiva's nagari with all its thumping and tablas and shanais and chanting. Audience will just fall in love with the first half of the movie. I want to see more of Dhanush, national award winner, in Hindi cinema. He has such a powerful screen presence that you will be in awe to see how he grows his character putting all different shades in it. So innocent, so so innocent. I just loved his Kundan. Sukanya Verma wrote in her review that Kundan is a gem (pun intended). I say, indeed, he is. For Sonam Kapoor, I'll say people should start taking her seriously as she has an immense potential in her yet I feel she should work more on her dialogue delivery. Her Zoya is the best she has offered yet to us, and I believe that this is just a beginning for her illustrious career. I highly recommend this movie to each and everyone who have loved and felt its pangs. If not, then go for some nice dialogues and yes for Dhanush.